Music Sales Dip Further in 2010 but Digital Albums Hit the Mainstream, 5 January 2011

·   Combined 2010 digital and physical album sales decline 7% overall in volume to 119.9m.

·   Digital powers singles to third successive record high – 161.8m sold in 2010, up 5.9%.

·   The digital album comes of age – 21.0m sold, representing 17.5% of 2010 album sales.

 

5th January 2011 - A third successive record year for singles and the emergence of a mainstream market for digital albums failed to halt a further overall decline in UK music sales in a market that remains heavily distorted by still-increasing levels of illegal downloading, new Official Charts Company data released today by the BPI confirmed.

 

Combined sales of digital and physical albums overall fell by 7.0% to 119.9m in 2010, with growth in digital sales failing to offset the decline in physical CD sales.  Despite the encouraging digital albums sales of 21.0m, growing 30.6% on last year’s sales of 16.1m, the market for CD albums declined 12.4% to 98.5m from 112.5m in 2009.

 

The singles market recorded an all-time sales high of 161.8m, 5.9% up on 2009’s tally of 152.7m, reflecting the unparalleled choice and value on offer from the UK’s burgeoning digital music retail environment.  5.2m tracks were downloaded in the final week of 2010 – the first time weekly sales have surpassed 5m.  Sales of digital single tracks represented 98.0% of overall singles sales, with CD singles only accounting for 1.9m sales, down on last year’s total of 2.5m.

 

Geoff Taylor, BPI Chief Executive, said, “2010 showed that the digital singles highs seen in the previous two years were no fluke – music fans  continue to embrace the convenience, value and choice offered by legal download stores.  The market for digital albums also went mainstream in 2010 with nearly a fifth of sales now coming from online services.

 

“Yet however encouraging it is to see the digital market grow, this must be seen against the bigger picture. Despite unprecedented demand for music, and strong innovation offering consumers new ways to access music online, legal downloads are unable to offset the decline in CD sales because they are dwarfed by illegal competition.

 

“We will continue to do everything we can to promote the legal market, but meaningful action to tackle illegal downloading remains absolutely critical if we are to stabilise British music sales, let alone return to growth.  Without it, investment in new digital services and in British musical talent will begin to dry up.”

 

Tony Wadsworth, BPI Chairman, added, “Consumer choice for recorded music has never been greater – both in depth of catalogue and the many ways to buy it.  It is now crucial that action to stem illegal downloading, incentivising continued investment in this popular art form, is implemented decisively and urgently.”  

 

It was a solid year for British artists in the 2010 album charts.  Take That’s Progress was crowned overall year-end album chart champion, selling more than 1.8m copies during 2010.  It was boosted in part by first week sales of almost 520,000, making it the fastest-selling album of this millennium.

 

Including Take That, The Official Charts Company end-of-year artist album Top 10 boasted five placings from new and established British talent, including Plan B’s The Defamation of Strickland Banks (No.5), Paolo Nutini’s Sunny Side Up (No.6), Florence & The Machine’s Lungs (No.8) and Mumford & Sons’ Sigh No More (No.10).

 

While Pop and Urban titles dominated the bestsellers list, there were also big successes for Classical artist André Rieu – who had two albums in the year-end Top 30 – and Michael Bublé, whose Crazy Love (classified as MOR / Easy) was the second-biggest selling UK album overall.

 

Eminem featuring Rihanna’s Love The Way You Lie sold 854,000 copies to become the UK’s No.1 single of 2010, narrowly seeing off a late challenge from X-Factor winner Matt Cardle’s single When We Collide which ended 2010 as the second biggest-selling singleTinie Tempah also featured in the year-end Top 10 with his breakout hit Pass Out.

 

UK record companies and retailers worked hard during 2010 to make CDs available to consumers in record numbers of outlets on the high street.   The Entertainment Retailers Association (ERA) confirmed that over 6,600 stores stocked CDs in the run up to Christmas, compared to just over 4,600 at the beginning of 2010 - around 15% more than the 5,750 in 1999, music’s previous boom year.

 

ENDS

 

NOTES FOR EDITORS

 

IMPORTANT:  All figures quoted in this news release are sourced from The Official Charts Company.   We would be extremely grateful if you could correctly reference The Official Charts Company when including the figures or tables in any report.

 

52 VS 53 WEEKS:  The Gregorian calendar unfortunately does not allow for a perfectly repeated, precise pattern of 52 chart weeks in a 365-day year, so the entertainment industry has aligned on a system whereby every five years there is a year that everyone agrees contains 53 full weeks.  2009 was a 53 week year.  With this in mind, chart positions and retail sales for 2010 were calculated on a 52-week basis, compared to the calculations for 2009 which included 53 full weeks of sales.

 

About BPI

The BPI is the representative voice of the UK recorded music business. The BPI is a trade organisation funded by its members - which include hundreds of independent music companies and the UK’s four major record labels. The BPI’s members account for approximately 90% of all recorded music sold in the UK, and globally the UK's recorded music market is the third biggest. 

  

The BPI also organises the annual BRIT Awards show as well as the Classical BRIT Awards show. The organising company BRIT Awards Limited, is a fully owned subsidiary of the BPI. Substantial proceeds from both shows go to the BRIT Trust, the charitable arm of the BPI that has donated almost £15m to charitable causes nationwide, since its foundation in 1989. 

 

 

About the Official Charts Company

The Official Charts Company (OCC) is a joint venture between record labels' body the BPI and ERA, the Entertainment Retailers Association. The OCC is responsible for the commissioning, marketing, distribution and management of the UK's industry standard music and video charts and is endorsed by the BVA (British Video Association).

 

The Official Charts Company compiles its charts from sales information gathered across all key distribution (or entertainment) channels including all major high street retail chains, independent stores, supermarkets, mail order internet retailers and digital music service providers. This market research sample equates to 99% of the total UK Singles market; 98% of the total UK Albums market and 90% of the total UK DVD market.

 

FOR FURTHER INFORMATION

 

Please contact  Adam Liversage on 020 7803 1326 / 0780 1179032 or email adam@bpi.co.uk.

 

A PDF version of this press release with full sales tables and year-end charts is available here.